Hildur Guðnadóttir Talks ‘A Haunting in Venice’ Score, the Influence of ‘Sicario’ and ‘Joker 2’
Published
In just five years, A Haunting in Venice’s Hildur Guðnadóttir has become one of the industry’s most in-demand composers. In 2018, the Icelandic musician and classically trained cellist scored her first American film, Stefano Sollima’s Sicario: Day of the Soldado, and now, she’s a Tony award away…
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