On Screen Portrayals Of Left-Wing Extremism: ‘Bastar, The Naxal Story’ As Example – Analysis
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Filmmakers adapting non-fiction work—especially those on conflict and terrorism—often struggle to stick to the original story. Filmmaking admittedly allows for the dramatisation of factual nuances given the need to tell a long story in a short timeframe. The struggle, however, is even more stark when a film doesn’t rely on...
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